Moodboarding
Production-ready sets for your brand visuals and ad campaigns
Live image composition, on your set.
Explore the experience
Start with your photograph, including its studio background. NADKA SET handles the extraction.
From the studio to the final image, all the way to your channels
Studio shoot
On-set preview
Your campaign layout
BRANDA NEW
POINT OF VIEW
POINT OF VIEW
Social, print & retail
Decision image · human validation required
Product integrity preserved
Material, light, grain.
Ideate and iterate from the studio
Control the unexpected
Weather, travel, permits, the cost of a mistake.
The whole team aligned
On the same screen, at the same moment.
Real-time validation
Shorter lead times
No wasted production costs.
Focus on the result
And on what creates value.
200+
images produced on site in 2 days
< 60s
per render
A major eyewear brand. A studio in the Paris region. September 2026.
Three sources, one workflow
AI-generated environments
Produced in under a minute, as ideas come or in the wake of the moodboard, from a prompt or a NADKA preset.
An example prompt
Open limestone terrace, terracotta arch, distant sea. Soft afternoon light. Space for a full-length fashion portrait.
Your own environments
Your images, imported and turned into an environment: house archives, commissioned photography, licensed stock.
Authored environments
Designed by leading architects, designers and artists. Original, unreleased and often exclusive aesthetics, with documented narrative depth.
Illustrative study, outside the catalogue.Proposed catalogue selection
Leonardo da Vinci
Ange-Jacques Gabriel
Louis Bonnier
Richard Neutra
Wilmotte & Associés
Levistre
One source active at a time — every image traceable to its origin.
Three levels of licence, quoted upfront
Internal use
Moodboards, mock-ups, tests and previsualisation for your teams.
Editorial
Images for magazine features and editorial publications.
Advertising
Brand campaigns: social media, digital, print, posters and in-store displays.
Other uses
Any other use on request, including exclusivity on a catalogue work.
Your quotation defines the operator service and intended uses. Catalogue works require a separate licence, agreed before the shoot.
Compliance, protection, traceability
Data
Your source images remain yours. An Article 28 processing agreement and DPA are signed at the start. Supplier terms on training and retention are documented at quotation, using the most restrictive settings available.
AI Act
We supply declaration information for every deliverable. The contract assigns publication responsibilities for applicable AI transparency requirements.
Image protection
Invisible watermarking designed to withstand everyday image transformations. Its scope and limits are documented for the intended use.
Detection and metadata
Online monitoring for unauthorised reuse, documented evidence of origin, and embedded credit, licence, TDM reservation and indexing metadata. Some publishing platforms may remove metadata.
Working together
Bespoke environment research for your campaigns
Scoping, follow-up and team training
Integration and configuration on request
Process and intellectual property audit
A few details.
On set
What happens to the original photograph?
Your photo can retain its studio background: NADKA SET extracts the subject. The subject comes from the on-set photograph. The face is preserved. Depending on the chosen level, light, reflections and, at the most flexible setting, pose may be adjusted. Pixel-level fidelity does not apply to that final level. The scope is agreed with you.
Do we need to change how we shoot?
The operator prepares the workflow with your digitech. A lightweight JPEG from Capture One is enough to compose. Your RAW files and session remain in place. Capture information and publication layouts are prepared with you before the shoot.
How quickly can we review an image?
The first client shoot produced 200+ images on site in two days, with under 60 seconds per render. Timing depends on the image, the chosen workflow and connectivity.
Who operates NADKA SET on the shoot?
An operator works alongside your creative team and digitech. Roles and preparation are agreed when scoping the assignment.
Can we work with products as well as models?
The workflow can start from a model, a model with accessories or an object. The intended composition and fidelity requirements are reviewed before the shoot.
Environments
Which environment sources are available?
Three sources: AI-generated environments, your own environments, and authored environments from the NADKA catalogue. One source is active at a time, with its origin documented.
Can we start from a prompt or a moodboard?
Yes. A prompt or a NADKA preset can translate your visual direction into an environment. Each produced image still requires human review.
Can we import our own location images?
Yes: house archives, commissioned photography and licensed stock can become environments. You provide the usage permissions for those sources.
What makes an authored environment different?
A documented work by an architect, designer or artist gives the campaign a cultural narrative. Catalogue availability, rights and any exclusivity are specified for the selected work.
How does the catalogue support creators?
10 to 40% of revenue is returned to creators and cultural institutions, supporting heritage conservation and contemporary creation.
Channels and approval
Can we see the image in our final layout?
Yes. Bring your poster, social, print or retail display layout. The team can review the composition within that layout while still on set.
Are different display proportions supported?
NADKA SET can work with any display ratio. Your layouts, safe areas and typography are prepared with the team before the shoot.
Can images be published immediately?
Every image requires human approval before publication. NADKA SET supports creative decisions on set. The render, its details and its rights must be checked for the intended use.
What is agreed before delivery?
The intended channels, output specifications, validation process and licence are agreed in the quotation and project scope.
Licences and rights
What rights cover the renders?
Three usage levels: internal use, editorial (magazines and editorial publications), and advertising. The agreed scope is stated in the quotation. Catalogue works require a separate licence. Every image requires human approval before publication.
Is the licence included in the shoot day?
The operator service includes the usage agreed in your quotation. Catalogue works, and renders incorporating them, require a separate licence for the project and its duration.
Can we request exclusivity?
Exclusivity on a catalogue work and other uses can be discussed on request. The quotation states the agreed scope and availability.
How are sensitive campaigns reviewed?
Documented sources, human validation on every image and a clearance audit ahead of sensitive campaigns help assess the intended use.
Data and support
Where do images and data go?
The processing setup and supplier terms on training and retention are documented at quotation. An Article 28 agreement and DPA are signed at the start. Your source images remain yours and the most restrictive available settings are selected.
How is AI disclosure handled?
We supply declaration information for each deliverable. The contract assigns publication responsibilities according to the applicable transparency requirements.
What protection follows the image?
Invisible watermarking, embedded metadata and online monitoring support origin tracking. Their scope and limitations are documented. Metadata may be removed by publishing platforms.
Can our teams be trained and supported?
Yes. Scoping, follow-up, team training, integration and configuration can be included in the assignment, alongside process and intellectual property audits.